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 "Paper Dress"                                          23.3.2002 >> 17.5.2002   

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IIta Gertner was born in Poland. She lives and works in Tel Aviv. In 1969 she graduated with honors from the Avni Institute of Art, Tel Aviv. She is also a graduate of the New Seminar for Visual Culture, Criticism and Theory at Camera Obscura School of Art, Tel Aviv (1998).

In her heart Ita Gertner carries a painful and embarrassing childhood memory, one that she still finds painful to recount. The traces of that event seem to have left an indelible mark, manifest in her recent works included in the exhibition “Paper Dress.”
The story is as follows: “My mother promised me a dress. I waited anxiously. I dreamt of a beautiful dress made of magnificent, soft and delicate fabric. My mother kept her promise, but she made the dress out of crepe paper. I put on the festive dress and went to kindergarten. My legs were killing me the entire walk. I walked very slowly, fearing that the dress would be ripped and fall off… The dress was short and my legs showed from underneath the hem. To this day my legs ache when I walk.”

Even as an adult Gertner still dreams of the dresses she envisioned as a child. She tirelessly tries to make up for this with dresses, skirts and shirts, jumpsuit and gowns of all colors, but especially conspicuous is the color red, blood-red that on one hand symbolizes femininity, and on the other – injury and wound. In this respect, Gertner does not hide the origins of her work that stems from agony and yearning for beautiful clothes. The drawn dresses are tantamount to objects that constantly change function and form. One moment they play the role of garments, and the next – they form a metaphor for the paper dress of her lost childhood.

Gertner charges full steam ahead on the transparent, formless papers, filling them with red coloration of blood stains and beads of sweat. She marks internal organs, accentuates the dripping, outlines the shapes of ants and other living creatures on these surfaces, and only at the end of the process does she transform the paper into a dress, skirt, shirt or jumpsuit. It all depends on the recollective state at the time of creation. At times she wants the dress to be a representation of a dress, a woman, a time of childhood. It is in these moments that the markings on the paper not only dictate the dress code, but also attest to her aspiration to join the female procession.
The exhibition spans paper-made objects in mixed media.

List of Works
Apron
Black Tears
Dress, albeit paper-made
Weeping and Laughing
Black is Not My Color
Womanly Blood
Waiting
Menstruation
Dream
Israeli Jumpsuit
Jumpsuit
Light
Tender