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It is an installation of paintings on brown wrapping
paper featuring spontaneous works executed in thick black industrial oil
paint. The Office is transformed into a sensual bubble of matter and
colour that alters the office-like appearance of the gallery.
Alina wishes to state that human life is a labyrinth operated by an
hourglass, Panerai Replica Watches and that man continues to search for balance within the
madness. His thoughts writhe like intestines. He fears that time is
running out.
The title of the exhibition, Beasts on Tel Aviv Rooftops, expresses the
horror of a biological attack that may break out at any moment, perhaps
even before the exhibition ever opens.
Speshilov is bound to the dread that occupies her mind and body; a fear
that is both spiritual and physical. In her mind’s eye she sees the
helicopters landing on the rooftops of Tel Aviv and sowing the seeds of
sickness. She sees malevolent monsters and long-legged worms developing in
the shadows. In time, the crows, the dogs and the cats come to eat the
remains of lifeless man.
Tel Aviv becomes a frightening city of men losing any vestige of humanity
in their lives or deaths. Only the animals are left to live in the city
and roam its rooftops. Panerai Luminor Replica Watches The nightmare prevailing is reminiscent in a way of
the human-animals described in Jos? Saramago's novel Blindness.
Alina Speshilov lives and works in Tel Aviv. She studied Art in St.
Petersburg, where she was born in 1973. She came to Israel in 1990, and in
1996 received a B.A. in Archaeology and Near Eastern Cultures from Tel
Aviv University. She studied painting and drawing with artist Ira
Rauchwarger in Jaffa for four years.
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